Marxism Explained, By Wimbledon

I see that the U.S. Women’s Hockey team is threatening to boycott the World Championship unless they get better pay. (Hands up those who even knew there was a Women’s Hockey World Championship… thought so.)

I guess that this is as good a time as any to explain how this whole thing works, because women’s sports — or rather, the women who play professional sports — are essentially driven by Marxist principle, whereas professional sport as a whole is a creation and creature of pure capitalism.

Here’s how professional sports work.

There is a product — sporting competition — which is driven by one word: quality. The better the people who play the sport and the keener the competition, the better the reward, be it championship honors, financial reward, whatever.

Men watch sports all the time, because they are competitive by nature. Women hardly ever watch sport unless it’s not a sport (e.g. Olympic ice dancing, synchronized swimming or gymnastic dancing, i.e. events which have “style points” awarded instead of scoring goals and such). But in the main, the audience for sporting events is comprised of men. Men are competitive, men want to see goals, and baskets, and home runs, and touchdowns. Style is unimportant unless there’s a goal at the end. This is why men don’t watch Olympic ice dancing, synchronized swimming or gymnastic dancing (i.e. events which are won by “style points” instead of goals), unless they’re watching it with their wives / girlfriends. (Ditto women who go to football matches — it’s mostly with their menfolk, otherwise they’d rather have lunch with their friends. Trust me on this.)

Summary: the higher the quality of play, the greater the support. In English football (soccer) terms, there’s a reason why Manchester United plays to crowds of over 75,000 per match, while lower-division Accrington Stanley struggles to fill its stadium of 5,000 each week — and the Man U players earn more each than the total salary of Accrington Stanley’s entire team.

But let me illustrate the whole concept rather with, say tennis. Tennis at Wimbledon, which is generally accepted as the world championship of tennis.

Many years ago, female tennis players like Billie Jean Moffitt (later King) complained that although they practiced as hard as the men, and won their Wimbledon titles just like men did, the tenisettes didn’t get anything like the reward money (purses) that men did. Because this argument took place in socialist Britain, it made all the sense in the world, so women’s purses were increased.

Except, of course, that the argument not only made no sense at all, its acceptance was a de facto acknowledgement of Marxist principle. How so?

Marxism posits that the “worker” works as hard as the “owner”, and therefore deserves if not exactly equal, then at least commensurate reward. We see this all the time, where “input” is as important as “output”. Except it isn’t. One of the precepts of capitalism, as we all know, is that it doesn’t matter how hard you work; all that matters are the results. What counts in the end is the quality of the product, and not the amount of work put into the product. The quality of the product is what sells, and that’s what results in profits for the producer. (Remember this, because it’s important. Really important.) I’m not even going to get involved in a discussion of the relative value of a worker’s time (where the job is simple, and where the worker can simply be replaced by another worker), and that of his employer (whose work is infinitely more complex, more difficult, and who is not that easily replaced). Nine hours’ work by a worker produces, say, a single product; nine hours’ work by the employer produces a marketing campaign, a sales effort, financing of the entire enterprise, product improvement / redesign initiatives… you get the idea.

So: back to tennis. What gets people (mostly men) to watch Wimbledon tennis is the quality of the competition. If the top 50 male tennis players didn’t play, TV ratings would plummet (ask any NFL team owner how his attendance fared with replacement players during the players’ strikes of 1982 and 1987).

Now let’s compare the relative quality of men’s tennis and women’s tennis. Actually, let’s not, because there is no comparison. Women play best-of-three sets, men play best-of-five, so men’s matches last longer, and attract more viewers in consequence. The quality of the actual play (men vs. women) is also not comparable: female tennis star Serena Williams was soundly beaten in a recent challenge match by the men’s 200th-ranked player, some unknown German guy who reportedly was hung over, had a huge meal and some booze beforehand, didn’t bother to warm up and yet still killed Serena stone dead on the court. It doesn’t matter how hard a female tennis player practices, or how fit she is, or even how much she wants to win (another red herring argument); not one stands a chance against a Federer, Djokovic or Murray. Game, set and match.

So if the quality isn’t there, men aren’t interested. (I would suggest, cynically, that if Wimbledon wanted more men to watch women’s tennis, they’d make the women play topless or naked, but no doubt some feministical would have a problem with my suggestion. And furthermore I’m told that a large proportion of the female players are lesbians, ergo unattractive to men anyway.)

And yet despite all this, women want, nay demand equal pay to men, even though the product they produce is of demonstrably lower quality, which translates into lower TV ratings — and lest we forget, it’s the spectators who drive the sports business, whether they’re actually in the stadium or, more importantly, watching the match on TV. (By the way, I’m aware that many women attend the Wimbledon tournament itself, but let’s be honest, it’s the occasion which draws them, not the competition, or else they’re simply accompanying their menfolk. The Wimbledon occasion, like the Olympics, attracts many spectators who otherwise don’t watch any other matches throughout the year. Seen the TV ratings for Men’s or Women’s Super G World Championships this year? Nobody has.)

And yes, there actually is a “wage gap” (another Marxist principle, by the way) between men’s and women’s sports in general, because men (who are, one more time, the main financial supporters of all sports) happen to prefer things like rewards for quality and don’t agree with participation trophies.

So the silly American women who want to boycott the Women’s Hockey World Championship are not only sticking it to themselves, they’re going to stick it to women’s hockey in general, because without the U.S. team, nobody in the United States will watch the tournament, and in the end, without U.S. viewers and support, women’s hockey may go the way of women’s professional squash. (Yeah, I hadn’t heard of that either.)

There’s a term for this kind of behavior (other than childish petulance): what is it? Oh yeah, it’s self-destructively stupid. I was going to call them dumb broads, but apparently one can’t call chicks “broads” anymore. Another sign of the impending apocalypse.

No Kind Words

I see that former IRA honcho and murderous bastard Martin McGuinness has finally died. Good. There have been several eulogies given about him, but Norman Tebbit’s is by far the best:

“I’m just pleased that the world is a sweeter and cleaner place now. He was not only a multi-murderer, he was a coward. He knew that the IRA were defeated because British intelligence had penetrated right the way up to the Army Council and that the end was coming. He then sought to save his own skin and he knew that it was likely he would be charged before long with several murders which he had personally committed and he decided that the only thing to do was to opt for peace. He claimed to be a Roman Catholic. I hope that his beliefs turn out to be true and he’ll be parked in a particularly hot and unpleasant corner of hell for the rest of eternity.”

Amen to that. Now it’s that smooth little psychopath Gerry Adams’s turn. Hasten the day.

Train Smash Women

Daughter has a friend whom I’ll call Emma, whose life is one of tragedy. She was abused as a child, estranged from parents, talks the most brainless shit nonstop, is almost always drunk when not working, only dates large Black men who (inevitably) abuse her… well, you get the picture: her life is just one long train smash. Emma is 21 years old, and I love her dearly, for reasons I just cannot explain.

Let me get one thing perfectly clear before I go any further: when I come across a Train Smash Woman in person, I run a mile in the opposite direction because their very presence in your life is toxic. (Back in my misspent youth, I once had to rescue a teenage Train Smash Woman from her drug dealer by sticking a gun up his nose, but that’s a story for another time. What that taught me, however, was to stay away from her and her ilk, and I’ve managed to do so ever since.)

I’m still fascinated by them, though, in some twisted anthropological sense even though they absolutely exude tragedy — maybe for the same morbid reasons why people slow down to look at a car crash on the freeway. My problem is that I find them funny, and view their exploits with open-mouthed horror combined with helpless laughter.

We probably all know one or two of these unfortunate souls, but let’s look at a couple of the more famous ones.

Example #1: Lindsay Lohan. This woman started off her life as an unbearably cute child actress, became a beautiful young woman, then went off the rails completely in her late teens and twenties and now looks like some medieval gargoyle:

I have no idea what made her decide to dye her exquisite red hair into a shade we can safely call “Dockside Blonde”, nor to transform her beautiful mouth into a ghastly fish-pout, but they are all just examples of Train Smash decisions. Apparently, she recently broke off an “engagement” with some much-younger Russian playboy (like that was going to be her path to future happiness, uh huh) who (of course) abused her horribly. I have to tell you, though, that Miss Lohan is not a perfect example of a Train Smash Woman because she started off well before careening off the rails; most Train Smash Women start off as losers, and just continue down that track. There is considerable evidence that Lohan’s parents are a pair of utter assholes who leeched off her and gave her neither protection nor guidance, but we won’t go there other than to note that asshole parents may be a common factor in the phenomenon.

Example #2: Britney Spears. Like Lindsay Lohan, Britney began her public life well in her early teens. In her case she was a pop singer who, despite a rather thin and weak voice, tapped into the rich ur-pedophilia vein of boy / girl singers and became fabulously wealthy as a result. She was, in the old idiom, as cute as a button:

…and even when she matured and had a couple kids, she still looked good:

Then came the long train smash of broken marriages, disastrous affairs, drink and drug problems, and weight gain — none of which stopped her from performing, though, and she seemed quite unashamed of the Train Smash her life had become:

And the final breakdown came when she shaved her head in a series of online Facebook posts or tweets, I don’t remember:

Britney has not stayed a Train Smash Woman, however: she’s cleaned up her act, ditched the drugs and weight, and now has a full-time gig in Vegas. Predictably, I find her less interesting now, although she is once again better to look at (if you prefer that clean-living, daily-gym-visit look, that is):

 

Now she’s become just another $70,000-per-month superstar, and is of little interest to us anymore.

But no discussion of Train Smash Women would be complete without a look at the ultimate, nay the very embodiment [sic] of the breed.

Example #3: Lisa Appleton. No, I’d never heard of her either. She was on some foul British reality TV show many years ago, and I have to admit, she was quite cute (in that full-figured look I like) and even did a bit of celebrity modeling:

   

Had I been aware of her in those days, though, I wouldn’t have given her a second look.

But time has passed, as has Lisa’s “career” as a reality TV star, and she’s ummm changed quite a bit:

…and her “private” look is even more alarming:

Now I know what people are going to say: “Come on, she’s wearing [that grotesque] makeup… she knew the paparazzi were there.”

Of course she did, you fools — and she knows that every time she leaves the house, some camera lens is going to record her insanity.

And that’s the joke. Miss Appleton has turned her Train Smash life into a career; in modern parlance, she “owns” her Smashdom and uses it shamelessly. (Under “shameless”, I think, is where you’d find her picture in any dictionary.)

Needless to say, the Daily Mail loves her — almost every day sees a fresh example of Lisa being tongue-in-cheek Train Smash-y, and I love the pictures almost as much as the commenters at the DM website can’t understand why the newspaper features her so often. (Duh, you idiots: it’s because of me, and people like me who love Train Smash Women.)

And the best part of all this? Lisa has a daughter who plans on following in her mother’s footsteps in reality TV.

Multi-generational Train Smash Women!

I can hardly wait. Yeah, I know; I’m a bad person.

It’s All Fun & Games, Until

Okay, I might as well admit to it: I love reading Britain’s Daily Mail Online. I know it’s trash, and they’re absolutely the worst people in the world, but it’s like Train Smash Women (I’ll explain that term tomorrow): it’s foul and horrible, but you can’t help yourself.

Here’s a wonderful example (from the DM last Friday): Naked man is spotted teetering on a window-ledge of French apartment block ‘after woman’s partner arrives home’. Go ahead and look (you know you want to); I’ll wait.

I think one of the reasons that these ridiculous stories appeal to me so much is that so often, something very similar has happened to me. And the above story is one such example.

Back when I still lived in Johannesburg — from memory, this was in about 1980 — I lived close to an area called Hillbrow, which was Johannesburg’s equivalent of, say, what the Bronx is to Manhattan: a dizzying array of high-rise apartment buildings in what was at the time the most densely-populated area in the entire Southern Hemisphere (back then it even rivaled Hong Kong in terms of population per square mile). Where I lived was a similar, but not quite as densely populated area known as Braamfontein, which was walking distance (about three miles) from Hillbrow, and next door to Johannesburg’s enormous main train station. All this is to give you some kind of scale for the calamity which is to follow.

I was at some party or other in Hillbrow, and ended up flirting with this rather cute woman. She told me that she was engaged to some guy, but he was always away doing contract construction work and because of that she felt lonely and neglected. One thing led to another (booze, mostly), with the inevitable outcome that we ended up in bed at her apartment. (Nowadays, of course, Good Kim would never have taken advantage of her vulnerability, but in 1980, 25-year-old Evil Kim ruled the roost, so to speak.) Here’s what happened next:

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Flying Aces

Although I have something of a reputation for being a gun nut, I’m more of an admirer than an aficionado. Sure, I can tell the difference between most older bolt-action rifles with just a brief inspection (because that’s a particular passion of mine), but the model numbers of the various Glock, SIG and S&W guns leave me cross-eyed with confusion. Unless I actually own or want a particular model, I have little interest in its stablemates, clones, extensions or forerunners.

When it comes to things aeronautical, I’m likewise not one of those obsessive types who can tell at a glance the difference between a Spitfire Mk.III or Mk.IX, but my goodness, I do love the shape of the things:

One of the very few regrets of my life is that apart from puttering around with a friend’s ultralight, I never learned to fly and get my PPL, because I would love to have taken a WWII-era fighter aircraft for a quick flight. Even the much-maligned Hawker Hurricane has not escaped my gaze:

The great WWII flying ace Douglas Bader flew both in action during the Battle of Britain, and his comment was that while he loved the agility and performance of the Spit, he grew to appreciate the Hurri as a rock-solid gun platform that could withstand an incredible amount of punishment — even though its rear fuselage was made entirely of canvas-covered wood.

I’ve seen a Spitfire in the flesh, as it were, as well as its major opponent, the Messerschmitt Bf 109, as both were displayed at the War Museum in Johannesburg.

What struck me then, as now, is how small those wonderful aircraft are. Also at the museum was one of the few remaining Me 262 jet aircraft, and by comparison to the dainty 109, it was a great hulking brute of a thing:

…although I have to tell you, that shark-like fuselage has its own particular attraction for me too.

As a boy, I was fascinated by WWII fighter aircraft and built models of almost all of them: Spitfire, Hurricane, P-51 Mustang, Me 109; you name it, I probably built it. As I’ve aged, I’ve tried to understand just what it is that attracted me (and still does to this day) to these aircraft, and I think I’ve finally figured it out.

These were not the fragile, unreliable and dangerous aircraft of WWI, nor are they the techno-laden jet fighters of the post-WWII era. Instead, they were flying machines which made you feel like you were part of a miracle. The speeds were nowhere close to supersonic (a modern-day Bugatti Veyron has a top speed just 100mph slower than that of a 1939 Hurricane), and honestly, I think my criterion for these WWII fighter planes is one of enjoyment: you’re going fast, but not that fast that you have no time to think about the experience. Kind of like the difference between, say, a Caterham 7 and a Pagani Zonda.

     

I like both, but I’d rather drive a Caterham than a Zonda for the same reason that I prefer a bolt-action rifle to a full-auto rifle: there’s more of an element of actively making the 7 and the turnbolt work, rather than just controlling the Zonda and (say) a BAR. Speed has little to do with it, although I suspect that the thrill of speed in a Caterham may be every bit as good as in a Zonda, even though the latter may be going half as fast again as the 7. Fast is fast: what’s the difference is how much one can feel it — and I suspect that without a speedometer to tell you the difference, you might not be able to quantify it that much.

So give me a good old WWII aircraft — the aeronautical equivalent of the Caterham — any day of the week.

And to quote a friend in a different context: when I see a pic like this one, parts of me start to tingle that haven’t tingled in a long while.

Can you imagine the sound those nine Merlin-engined beauties make as they thunder overhead? I don’t smoke, but I’m pretty sure I’d want a cigarette after that flyover.

Stop That Shit #1

I was reading some article wherein a so-called “style and etiquette” expert was making suggestions for the ages at which one should stop doing certain activities (e.g. wearing a bikini), and while I agreed with some of his statements, I found myself in stark disagreement with others. [pause while Longtime Readers pick themselves off the floor because they know I am more like the Church Lady than the Church Lady is like the Church Lady]

Here’s the first of his suggestions:

Computer games: age 18

I understand why he would think so. After all, the apparent reason why young people today, and I mean Millenials, are so socially inept is because they’re all trying to conquer World of Warcraft (WOW, as they call it) Level 76 or something, rather than actually interacting with other people [unspoken: like we old farts used to do]. Here’s the stereotype:

But Nazzo fast, Guido*. What Millennials have done is created a culture for themselves — listen to any group of Millennials (and I have three) talking, and within thirty seconds they’ll be speaking a different language which is incomprehensible to anyone other than their own generation. In other words, they are interacting with each other, but just using a platform — the Internet — which is different from what we Old ‘Uns used. And as for actual socialization (or as they wonderfully call it, meat space), there are all the ComicCons and suchlike to consider. ComicCon, in other words, is to the Snowflake Millennial Generation what a Grateful Dead concert was to the Filthy Hippie Generation. Think I’m kidding? Consider these two pics of ComicCon and a Dead farewell concert:

Other than the age difference, they are essentially the same picture: people at a cultural event, wearing costumes which identify them as being part of a distinct group, and each speaking a language which would most likely be incomprehensible to their grandparents.

“Yeah, but kids today lock themselves in their room and just play computer games all day!” is the moan.

If you haven’t done the Boomer equivalent of the Led Zeppelin haj — putting on the headphones and listening non-stop to all the Zep albums in chronological order without leaving your bedroom / college dorm — then you wouldn’t see the similarities. (Full disclosure: I’ve never done the Zep thing, but I have done the same with Steely Dan, more than once.)

I think every generation does this kind of thing — or have since maybe the Great War, or maybe even the beginning of the 20th century. Of course, the Millennials have opened themselves up to ridicule:

Then again, you should hear the shit they say about us.

I’ll be doing more of these as the fancy takes me. It’s a rich vein, and it gives me a chance to do one of my favorite things: generational mockery.


*look up “Guido Nazzo” here for an explanation of my obtuse inside joke