Not Too Awful

In yesterday’s post which talked about colors, one color came in for some (much-deserved) mockery, this being avocado green.

Well, I guess it can be a situational thing.  Here’s why I say this:

Now it must be said that the peerless E-type might look better in another color;  but if someone came up to you and said, “Here are the keys and pink slip for that car, it’s yours,” I think it would be safe to assume that you wouldn’t get all offended and say, “Oh noes!  I wouldn’t seen dead in so ugly a color!” and turn it down.

In Kim Terms, this would be like turning down an evening’s bedtime entertainment with Salma Hayek just because she was wearing a strangely-colored dress.  And as this statement is useless wifout pichers, here’s what I’m talking about:

Errr I’ve lost my thread.  What was I talking about, again?

The Consequences Of Bad Education And Ignorance

I actually laughed out loud when I read that some idiots are going all outraged-wokey at the fact that Israeli beauty Gal Gadot has been cast to play Cleopatra in yet another remake of the Egyptian queen’s saga.  (Here are the details.)

Actually, it would have been more justified for blondes to get upset about the role going to a brunette, because as a Ptolemy (and therefore of ethnic Greco-Macedonian heritage), Cleopatra was most likely fair-skinned and blonde.

It is, as they say, to LOL.

Here’s the serious part of this.  In their struggle to claim some fragment of cultural worth, Black Africans have always tried to appropriate Egyptian civilization as “African” — specifically, with regard to sub-Saharan Africa, which had no civilization at all to speak of.  In this, of course, they have been abetted by Western “African Studies” academics, who have performed all sorts of intellectual gymnastics to conclude that yes, ancient Egyptians were really just like the Masai, promise.

The plain fact of the matter is that Nilotic people are as different from sub-Saharan Blacks as Scandinavians are from Aztecs.  The fact that Egyptians too have dark skin is a matter of geography, not racial kinship.  And the northern Greek tribes of Macedonia have closer genetic, linguistic and cultural ties with Serbs than with Arabs, let alone Black Africans.

Anyway, I don’t care.  These wokesters have shown their asses yet again and given us yet more reason withal to make fun of their ignorant little wokish philosophy (such as it is).

I’m just curious to see how Gal Gadot measures up to Elizabeth Taylor.  It’ll be a tough job.

Off The Shoulder

In today’s post I’m going to sing the praises of an article of women’s clothing which alas seems quite unfashionable these days, whereas it should be as perennially popular as blue jeans:  the loose, baggy, off-the-shoulder sweater.  Here’s an example:

The wonderful thing about this garment is that it looks sexy:  that slightly impression of wantonness  coupled with (in some cases) a tantalizing glimpse of the breast whenever the lady leans forward makes, for me at least, a hugely-erotic sight.

It’s completely ruined by the appearance of a bra strap, by the way;  the whole essence of the thing is near-nudity, even under so large and thick a garment.

Now I know that Not All Women Can Go Braless… but actually,  a loose floppy sweater does an excellent job of concealing loose, floppy breasts, for example, so what would be unthinkable with any other garment top is not at all out of the question with a wide, loose-topped sweater.  Here’s one with a very loose neck:

In each of the above cases, the model has a fairly modest bust — but a larger one would make the garment quite sensationally sexy.

While I quite like the Victorian “below-the-shoulder” (i.e. both shoulders uncovered), it’s a little more overt (albeit also very sexy too):

…but this one is definitely reserved for the Young ‘N Perky Set because of its tightness.

But a big ol’ floppy sweater falling off one shoulder?

Have mercy.

 

That’s The Spirit

In all the frenzy of Chinkvirus panic and the resulting pandemic theater (i.e wearing face condoms which, from all accounts, do little or nothing to actually prevent the spread of the virus, but like the TSA at airports, at least give the appearance of Doing Something ), we have this wonderful example of I-don’t-give-a-fuckitude from someone named Lana Del Rey:

Heheheh… if you’re going to show absolute contempt, then this is the way to do it.

Of course, the uproar has been intense:

Taking to Twitter to share their anger, one person said: ‘I cant belive lana is actually wearing this mask to…..socially interact with people..this is so irresponsible.’
A different fan put: ‘Why is she at an event with a bunch of people wearing a mesh mask??? I love Lana but this is incredibly irresponsible.’
Another follower commented: ‘LANA WEARING A MESH MASK TO AN EVENT FOR HER POETRY WTF So irresponsible.’

…etc. etc. etc.

Me, I’m just chuckling, because you know what’s coming up next, don’t you?

Wait for it…

Government regulations mandating a minimum thread count per inch for cloth face masks!

You heard it here first.

From Pretty To Peculiar

There’s this TV show called Love Island, where pretty young heterosexual things of all types get to hang around in seclusion somewhere and bonk each other.  (I may not have got this quite right, as I’ve never actually watched the poxy thing, but this seems to be what happens.)  After the season ends, the cast go on to make all sorts of money from endorsements and Instagram appearances and so on.

Nice work, if you can get it.

And to get it,  you need to be pretty, regardless of whether you have a pleasure pole or a love socket.

The men, needless to say, don’t do much to make themselves look more attractive to the women — ’twas ever thus, except for men of the Elton John persuasion — but the sluts women certainly do.  And of course, by today’s deplorable standards of beauty, a girl needs to have an ass of Lopez/Kardashian dimensions, and a face that… well, see for yourselves.

Here’s an article which shows Before / After pics of some of the girls’ faces.  Most of them are fairly plain, but one stuck out as particularly sad:

She went from being quite stunning to looking like a RealDoll.

Yes, that’s a RealDoll.  I challenge anyone to contradict me.

In describing my despair at our modern life, I often say that I’m just a 1911 man trying to live in a 2020 world.  And I’m not exaggerating.

Here are three famous Edwardian beauties (Gladys Cooper, Lily Elsie and Marie Doro).  Compare them (and their contemporaries) with the grotésqueries  in the above article, and I think you’ll get my point.

 

Not a stitch of cosmetic surgery anywhere.  And if you didn’t fall instantly in love with one or all of the above three, I don’t want to talk to you anymore.

Classic Designs

Just about every sentient human being has their own set of criteria for what constitutes a “classic” design.  My own are fairly simple, in that a classic design:

  • should make everyone who sees it go:  “Ah yes!  That’s  _____________”;
  • must stand the test of time — people should recognize exactly what it is, decades after its creation or even demise;
  • should be universally recognizable even to people not familiar with the product or product category;
  • should be beautiful enough so that one might desire to own it or view it in person, even when you’re not quite sure exactly what it is.

I (and others) might not even care for the stuff, but the iconic designs nevertheless need to be recognized as such.  Here are some examples of what I’m talking about.

E-type Jaguar

Walther PPK (“the James Bond gun”)

The Eiffel Tower

Volkswagen Beetle (old shape)

Cartier (“Tank”) Watch

P-08 (Luger)

Austin Mini (old shape)

The Parthenon

Winchester 1894

Omega Seamaster

1965 Ford Mustang

Spitfire

Those are just the first ones that spring to mind — I used the “five-minute” rule to establish which, to me, exemplify the concept.  Yours may differ, so feel free to comment.