Category: Culture

Art, music, literature and thespianism

Cultural Straws Part 2

Culture, Music

In yesterday’s post (Part 1) I looked at the trend in modern music covered by this article. Today I want to talk about the last couple paragraphs of said piece, which really deserve their own discussion. Why? First, the text:

“Music is at its core a social activity. People get inspired to play because they listen to their favorite artists or see them at a live venue. But that experience isn’t translated when you take music lessons. It’s usually a very solitary, one-on-one experience with one teacher and the students aren’t necessarily learning to play the songs they want to learn.”
…
“We teach students of all ages the same music theory they’d learn anywhere else, but you learn to use that theory with a band [emphasis added]. Students have group rehearsals where they can practice with a band every week. And we also have our version of a recital, which is really a rock show at a live venue. We put on more than 3,000 shows a year across the world.”

I cannot stress how good an idea this is, and here’s why.

It is a truism of education that unless there is relevance, fear or self-interest (or all three) involved, education or training will be a waste of time, i.e. no learning will be retained. (“Retained learning” being defined as being taught something, and being able to repeat the input a year later with more or less 90% facility.) This learning will be doubly successful if it is practical, meaningful and requires frequent repetition.

So here’s why the above approach is so successful.
1.) Pupils are not just learning musical theory (which I can attest is deadly boring), but are immediately required to put it into practice by playing with a group — i.e. it has relevance because the band’s performance will suffer if the pupil under-performs, and thus the band will rehearse over and over until they get it right (which provides the discipline to practice, as opposed to leaving practice to self-discipline — not an easy thing to maintain for months or years). Thus: application and repetition.
2.) Pupils get to play either exactly what they want or a close facsimile thereof by making a group compromise. Thus: relevance for the skills they’re acquiring.
3.) Finally, the audience’s applause provides the reward (i.e. self-interest) for the pupil.

I can tell you from my own experience that when our band really enjoyed a song — both the learning and the playing — we would play it for months or even years until we either forgot about it or got sick of playing it. On one occasion, after an absence of five years from the playlist, we got a request for Radar Love. As it happened, one of us had it on tape, so we listened to it during a break, then went back onstage and played it as though we’d done it the night before. Retained learning.

So I am totally unsurprised at the success of the School Of Rock, if this is how they’re teaching music. If I were a great deal younger, I’d enroll in a heartbeat.

As for the main thrust of the article — that Guitar Center is in financial kaka — I’m not worried, certainly not as far as guitars are concerned. It’s one of the few items remaining where a buyer absolutely has to touch the thing and test it before buying it, so GC should be able to weather the storm, even if in truncated fashion… I hope.

Cultural Straws Part 1

Culture, Music

Via Insty comes this article which, in talking about the financial woes of the Guitar Center retail chain, exposes two deeper issues. Here’s the first:

Guitars don’t figure as heavily into chart-topping music as they once did, according to [Guitar Center boss] Gruhn. He ought to know. Over the years, his customers have included everyone from Paul McCartney, George Harrison and Eric Clapton to Neil Young, Vince Gill and Billy Gibbons. Those artists have left indelible imprints on the music landscape, all the way from Clapton’s burning solo on “Crossroads” to Harrison’s signature guitar part on “Daytripper.”
But these days? Well, things aren’t as guitar-oriented.
“Baby boomers are the best customers I’ve ever had. They’ve driven a lot of the guitar trends, but they are aging and many of them are downsizing their guitar collections,” Gruhn added. “This doesn’t mean that guitar sales are dying, but instrument sales in general are under stress.”

And from another guy in the business:

“Rock is almost dead,” he said. “It’s almost nonexistent. And with guitar there’s no almost one to look up to anymore – no one to get you to want to learn. I have three or four guitar students who are about 12 to 14 years old, and I told one of them she should find someone in her class to play guitar with. She said, ‘No one else plays the guitar, and people think I’m weird because I do.’ ”

As a one-time rock musician, I note this trend with sorrow, of course. As much as I detest the modern obsession with 1,000-watt amplifiers in cars, it does allow me to note that I seldom if ever hear loud rock music emanating from cars these days — in fact, now that I think of it, I can’t remember when last I did — because the market in sub-woofer bass played by sub-moron drivers appears to be dominated by rap music and its adherents, Wiggers and and their Black counterparts. (And this in our upscale neighborhoods in north Texas. South Chicago must be just one large cacophony of thumping drums.)

I suppose that the trend away from rock music (and its instruments) is just one of those things — just as in classical music, harpsichord music almost disappeared when the pianoforte became more popular in the nineteenth century. Of course, I think this sucks, but then again if it means fewer hair bands then it’s not altogether a Bad Thing.

What I hate is what the trend means: that popular taste is devolving towards the primitive — but then again, I suppose that classical music aficionados said the same thing when jazz and later rock music began to supplant classical music among young people. One could say that the classical folks had a point:  Buddy Holly wasn’t exactly Beethoven; then again, in today’s world Heavy Z (or whoever) isn’t exactly Freddy Mercury. But on his worst day, Buddy Holly could write better music than the most accomplished rapper, who has to rely on plagiarism (a.k.a. “sampling”) to provide some kind of musical overlay to a soul-crushing, over-amplified rhythm section. Don’t even get me started on the differences between Queen’s Bohemian Rhapsody and  G-Eazy & Halsey’s Him & I  (errrr Him & Me or He & I, surely?).

Of course, another manifestation of the move away from classical- to rock music was that guitar pupils began to outnumber piano pupils.  After all, the guitar is an easier instrument to play than the piano, just as manipulating a turntable and drum machine is easier than playing a guitar (as the article correctly notes). I mean, when Paris Hilton can be known as a good DJ… those whirring sounds you hear are Stevie Ray Vaughan and John Bonham spinning in their basements.

One could get all upset about how this is just another sign of the Dumbing Down Of Today’s Yoof, but I think this is more a factor of how music has traditionally been taught and learned — which brings me to the second issue raised by the article.

In Part 2 tomorrow, I’ll talk about that. But just to help people know what I’m talking about, here’s a guitarist:

 

Weekend News Roundup

Bad News, Business, Culture, Men & Women, Politics

…wherein I comment on various snippets of what passes for “news” these days, and which happened to catch my eye en passant:

1.) Ireland threatens to poach U.S. business from the U.K., post-Brexit.
— It’s called the “free market”, and nobody should care about this other than the ignorant. Remember that you’ll be negotiating with the United States and against Great Britain, boyos. Good luck with that. And just hope that your masters in Brussels don’t punish you for straying outside the fold.

2.) Women achieve orgasm more often when having sex with other women than they do with men.
— Don’t care. Next:

3.) Prince Harry won’t sign pre-nuptial contract with divorced Hollywood starlet.
— Yeah, this is going to end well, considering there’s about $40 million involved. Dreamy royal ingenue vs. Hollywood lawyers… nope, not gonna take that bet. And the pussification of Harry continues apace…

4.) Saintly charity Oxfam involved with sex orgies and sexual harassment in Haiti.
— Considering that Haiti is one of the pox capitals of Shitholia, could this be conclusive proof of liberal idiocy, or is it just the Darwinian process? I report, you decide.

5.) Disloyal and dishonest asshole fired from the FBI before he can retire with multimillion-dollar pension.
— My only question: what took them so long? Should have been done over a year ago.

6.) Has-been CalGov Arnold Schwarzenwhatsit said some stupid shit in Austin, TX.
— Dude should have stuck to bonking hideous Hispanic housemaids. Of course, in Moscow-On-Colorado he’s going to get serious cheers for saying that “oil companies are killing people by abetting the burning of fossil fuels, and that all products using fossil fuels should be marked as associated with hazards like tobacco.” Yet another has-been liberal Republican who needs to just STFU.

And finally:

7.) SecState Tillerson was on the toilet when told he was fired.
— And we needed to know this… why? Somewhere out there, someone’s former journalism professor is reaching for the razor blades. (Not that this would be a Bad Thing, mind you.)

It’s NOT The Guns, Stupid

Culture, The Gun Thing

I’m getting heartily sick of people yammering on about America’s “gun culture” (usually spoken in terms of horror and disparagement).

It’s not a “gun” culture; it’s a culture of self-reliance . For the same reason, we’re also a “car” culture, because while guns give us freedom (in general), cars give us freedom of movement. Just as we’re not wholly dependent on the State to protect us thanks to our guns, with our cars we’re also free to move around freely, not dependent on Government to supply us with transport.

Some time ago, I laughed at the way that liberal “intellectuals” (who are neither) and European weenies used “cowboys” as an epithet — little realizing that the cowboy embodies everything we true Americans love about our society: he’s on a horse (independent transport), and being armed, he doesn’t need the sheriff to look after him. Cowboys, by the way, were and are largely self-employed, moving from one ranch to another as need for the cattle roundups and drives changes — and we all know that the above-mentioned bastards would prefer that we all work a.) for the State, or at least b.) for companies and institutions (like colleges) that are under the control of the State. (The first system is Communism and the second is Fascism, just so we’re all clear on this topic.)

So when misguided children and malevolent gun-confiscators talk about doing away with the “gun culture”, please be aware that what they’re really talking about is making us all dependent on, and subservient to the State for our protection. For the kids, that’s an unintended outcome because, duh, they’re kids and can’t think past the next hour; and for the confiscators and their ilk, that’s the intended outcome, as per Marx and Mussolini.

The same, by the way, is also true of people who want to do away with cars and make us all use public transport, thus taking away our freedom of movement and subjecting it to government diktat. (It’s another reason why I think “driverless” cars are going to prove to be an abomination — giving up driving means giving up control of your own movements, eventually. Just watch.)

I once wrote that I don’t just want the freedom to bear arms, I want everything that goes along with it: responsibility, personal safety, freedom from government control, the whole damn thing. But what that really means is that I want to be part of a culture of self-reliance. And in the spirit of that culture, allow me to post the following pics:

…or if others feel exactly as I do, but would prefer to be All-American:

That’s my dream, and a pox on those who would deny me that dream, whatever their oh-so noble intentions.

Dramatis personae, from top:

  • AK WASR-10 in 7.62x39mm, with a 30-round magazine
  • 2018 Maserati GT 4.7-liter V8 (454 hp)
  • AR-10 in 7.62x51mm equipped with, yes, a modifier
  • 1969 Stingray L79, 327 cu. in. V8 (350 hp)

All four are, if you’ll pardon the expression, loin-stirrers for us self-reliant types — and objects of horror and loathing to the weenies (who would go with *911 and an auto-drive Prius).

I’m pretty sure I can guess which option my Loyal Readers would choose.

Incomprehensible

Culture

When I were a young lad, I took a course in Art Appreciation, and I have to say it opened up my eyes to art, big time. For the first time I was able to appreciate, truly appreciate, the skill of the old masters — the golden triangle, the use of light and color, how different brushes and brushstrokes worked to create mood, its effect on the history of its time, and all that. My life was changed and enriched, and I look back on the class and its teacher with complete fondness because it opened a door for me, and I walked right on in.

I never got Picasso.

Now granted, I was similarly at a loss when looking at the Blue School, the Modernists (like Klee and Pollock) and what have you; but I always thought that Picasso’s art was wrong: it transformed the human form — and especially that of women — into a caricature, and I’m sorry, but caricature isn’t art, or at least not Fine Art.

And yet Picasso is regarded as one of the Masters by almost everyone. Even his lesser paintings fetch astonishing amounts of money, his life and works are commemorated in terms that border on idolatry, and his style is seen as the end-point, the very denouement of Impressionism; but as hard as I try, I just don’t see it. Here’s one of his most famous works, Les Demoiselles d’Avignon:

…and I know what it is: a depiction of a group of prostitutes in a brothel. And Picasso is looking at them… how? As objects of desire, as depraved women, or as tired working girls? Or is it all three?

Here’s my problem with the piece: it could be any one of those, but his grotesque style makes no statement — it’s left completely up to the audience as to which they see in it.

Now maybe that was his intention, but I have a problem with art that has no artist’s viewpoint, but leaves everything open to interpretation. It’s a cop-out to say, “Well, it’s whatever you want it to be.” My response to that airy nonsense is usually, “I want it to be gone.”

And while I can see why the art world would be immeasurably poorer without the Impressionism of Monet, Gauguin, Renoir, Degas and Van Gogh (to name just some), I just can’t say I feel the same about Picasso.

Feel free to add your thoughts in Comments.

Real Barbarians

Culture, Politics

So a whole bunch of school districts are going to drop Mark Twain’s Huckleberry Finn because he uses the word nigger and thus is guilty of doubleplusungood racism and that might hurt the tender sensibilities of someone. The irony, of course, is that Twain almost singlehandedly changed the way the entire United States thought about race, with this very book. But he says the dreaded word nigger so therefore he is eeeevil and must be taken out of the canon. What a bunch of crap.

I was going to write a post about censorship — the fact that the Left and their Social Justice Warrior Brownshirts want to censor everything because [deep breath] raaaaycism / feminism / hurt feewings / patriarchism / White-ism / [enter the hate-motif du jour here]. But then I read this fine article at Gates Of Vienna, which begins thus:

The barbarians are among us. They are not lurking on the right or lower edges of society, they are not among the uneducated or the educationally failed, they do not come from under-developed regions. They are sitting at the levers of influence in art and science, they write in quality publications, discuss at universities, manage art galleries, dominate the talk shows. Nonetheless, they are barbarians, for in their innermost being, they despise art.

I have to tell you, I can’t do better a better job than he has. The fact that this was written by a European (German, no less) makes me feel a little better too, even if he is a lone voice among the Euro-censors. It’s an excellent piece; read all of it.

It’s time these bastards start to realize just what it is that they’re doing to our culture — and if they acknowledge that it’s a conscious act of subversion, then we need to scourge them with pen and tongue (also with whips, but that’s a topic for another time).