Generational Take

The Divine Sarah’s younger boy Marshall (a younger Millennial) takes on the Millennials in general, and Marvel comics in particular:

You got be f**king kidding me.
Marvel, gender-swapping and race-changing existing characters doesn’t count as doing something new. Granting, seeing what you do with new characters, I guess this is an improvement.
Besides the coming funeral plans for comic shops thanks to the senseless murder by Marvel comics and its weapon of pure woke, this brings into focus the purpose of my post today, because I haven’t given away the dirty little secret about these comics, and I think it’s appropriate to do a short history lesson, and turn back the clock a bit.

Read it, and chuckle.  He had me at “The blood sucking, flying albino with a bad 90’s Goth outfit is the most believable character in your roster.”


Note to Marshall:   let Mum edit yer stuff for grammar before publishing.

News Roundup

Follow the pictures to avoid the commentary:


revolution to begin in 3…2…1…


nobody cares what you think, fuckfaceOur civil rights aren’t dependent on your opinion.


oh, right… a tattoo of Harry Potter or Dumbledore, whose characters helped earn you untold billions in cash, would be “weird” — but “Semper Stulta” (which would be true, in your case, considering your actual tattoo) isn’t.

  and… 

these two articles are not related.


after which he tried to sell the Brooklyn Bridge to some guy from Iowa.


what, all that solar- and wind-powered shit not working for you Brits?

And speaking of global warming in Britishland:

Incentive And Compromise

How would you like to own a house like this one, set in 1,100 acres of the gorgeous Wiltshire countryside:

According to its Wikipedia entry:

The grounds of the house are noted for their re-established wildlife, including fallow deer.  The grounds are also noted as one of the top game bird shooting venues in the country:  The Field  magazine voted it one of the UK’s ten top venues for pheasant shooting.

Sounds all very pleasant, doesn’t it?  As it happens, Ashcombe House belongs to movie director Guy Ritchie (of Lock Stock and Snatch fame), who came into ownership of the place as part of his divorce settlement from Madonna.

Which leads me to this question — posed to me originally by The Fiend Englishman — and, I think, it’s really a difficult one:

Would you sleep with Madonna for a couple-three years (as Ritchie did) if you knew that at the end of it all, you’d come to possess this fantastic estate?

Just so we’re clear on the topic, though:  we’re not talking about this Madonna:

…nor even this Madonna:

No, we’re talking about this Madonna:

Now before everyone runs screaming from the room, I should point out (as did The Englishman) that along the way, you would probably have learned more than a few revolting naughty bedroom tricks which may (repeat may ) have made the eventual ownership of Ashcombe House a little less unpleasant;  and indeed, Ritchie seems to have escaped more-or-less unscathed from his years-long encounter with Madge, along with possession of both his venereal health and his genitalia (which I admit thinking would have been a long shot in both cases).

So, Gentle Readers:  a magnificent estate with lots of prime birdshooting, in exchange for a few years of plunging into Madame Grotesque’s well-trodden pudenda?  Or is no real estate worth that sacrifice?

Your thoughts, in Comments.

Compensation

Being inhabitants of an island or two, the Brits have always been very much a nation of travelers, but even I have to admit some surprise at the extent of it:

Up to a million Britons are STILL stranded abroad scrambling to return home after countries closed their borders

Indeed, even my Longtime Friends the Sorensons were until recently stranded while out of the country, and only just made it onto the last flight back to Britishland.

Now of course, the country they were stranded in was the Indian Ocean island of Mauritius, which admittedly does take some of the sting out of it (pics taken by Mrs. Sor):

(There were more pics, but they’re somewhat personal nay even indelicate, with half-naked Sorensons all over the place, so I’m not publishing them here…)

Here’s the beach near their hotel, lest anyone still needs proof of their dire predicament:

I suspect that Mr. Sor’s deepening panic came not from being unable to get back to Blighty but from the prospect of the hotel running out of gin — entirely understandable, of course, as the thought of being marooned Robinson Crusoe-like on an island with no gin… well, I don’t think I need say any more.

But they’re back home, self-isolating in their historic urban residence, and despite a ready supply of gin they’re not at all happy about being there, for some reason:

Note the “social distancing” of their neighbors…

Response

Seen at Insty a while back:

Well, my initial reaction was:

“And I hope you fall overboard and get devoured by sharks.”

But I’ve had some time to think about it, and I’ve adopted a gentler, more measured response.

Now I just hope he falls overboard and drowns.

Did I ever mention before just how much I hate the recording industry?

One Forward, Three Back

Sometimes I wonder why they bother.  In an article which reviews Ruger’s new mini-wonder pistol, the field-stripping process is described thus:

Field stripping is easily accomplished by following the directions in the instruction manual. That’s the usual gunwriter verbiage, but it isn’t quite what I experienced with the 57. Following the direction to ensure the pistol is unloaded, the slide is first locked to the rear.
Opposite the takedown lever is a pin that takes a bit of effort to depress. Ruger recommends using the base pad of one of the magazines; I ended up using a punch. Once the takedown lever is protruding from the frame, it can be rotated down. Next, rather than the conventional method of running the slide forward off the frame (I warned you to read the directions) the slide is moved forward about a quarter inch, then lifted straight up.
The recoil spring and barrel can then be removed from the slide in the usual manner. Ruger has designed this pistol to be taken apart without the need to press the trigger, a feature I heartily applaud.
Reassembly is quite easy if one follows the instructions, but entirely impossible if, somehow while messing around with it, the takedown lever is allowed to snap back into the frame. (Ask me how I know.) Anyway, it really is quite easy, but I enjoin you, make sure the takedown lever is still out (or in the disassembly position) should you wish to avoid a couple of frustrating hours mucking about.

OR: 

Ruger could just have made their new wunder-pistole come apart like their own Mk IV .22 pistol, namely:

  1. Remove all boolets (and the mag) from the gun.
  2. Cock the piece and click the safety catch up into SAFE.
  3. Press the little button under the slide tabs at the back.
  4. Lift the slide assembly off the frame.

And that’s it: no special tools, no screwdrivers, no coins, nothing. The firing pin assembly is loose in the slide, and just drops out into your hand for cleaning. Here’s a pic-by-pic:

And now for the best part: the reassembly.

  1. Slip the firing pin assembly back into the slide (it can only go one way).
  2. Place the slide’s hinge hook back into the front of the frame.
  3. Drop the slide back onto the frame, and push it closed until you hear the click.
  4. You’re ready to start shooting.

Best part:  I never had to consult the manual.

Did Ruger do that?  No.  Instead, they made the new 57’s field-stripping procedure more akin to the older Mk I/II/III pistols:  a study in frustration.

I don’t know the answer to this (but I’m willing to learn):  how difficult would it have been just to stretch out the Mk. IV’s frame and breech to accommodate the longer 5.7x28mm cartridge?  Or, for that matter, the .22 Win Mag?

Oh, wait, I forgot:  that wouldn’t engender the same increase in sales (and all the concomitant gun-magazine hype) that a new pistol  would.

Instead, Ruger seems to have made a “new” pistol which hearkens back to the past.

Not interested.

Now if I were seriously interested in the 5.7x28mm ratshooter cartridge (a BIG if), I’d be far more likely to look at the PS90 mini-carbine:

I shot Doc Russia’s daughter’s PS90 a couple weeks back, and it was a sweetheart (albeit as ugly as Rosie O’Donnell).  But that gun’s way too spendy (over a grand and a half), so:  no.

I just can’t get excited about a new cartridge which is simply a very hot .22 Win Mag and which would cost an arm and a leg to get into, what with all the new guns etc.

I have enough calibers in Ye Olde Gunne Sayfe, so:  no.

What I may look at, if ever the funds become available, is the Kel-Tec PMR-30 in .22 Win Mag (of which I may already have one or two rounds in Ye Olde Ammoe Locquer)…

…and it’s all Ruger’s fault.

Or am I missing something, and is the 5.7x28mm the absolute bee’s knees?  Chuck Hawks doesn’t seem to think so.