Out Of Touch

That’s me, because I didn’t know about this phenomenon either:

So like anyone who is intellectually curious, I did a little research:

Now you can all be as educated as I am on the topic… no need for thanks, it’s all part of the service.

Oh, and the best thing about the bikini bridge?  That fatass Kim Kardashian is never gonna have one.

Back Home

Back home from our trip to New England, and New Wife is absolutely sold on the place — not to live, but to spend the odd week Down East during the summer.

I’ve been to New England (both the coast and inland) on many occasions in the past;  in fact, my very first trip to the U.S. back in Fall 1985 was to New Hampshire’s White Mountains and coastal Maine, and I’ve loved the area ever since — hence my desire to take New Wife there as part of my long-term plan to show her around the various parts of the U.S. that are not Texas.

The first couple days were cool and misty/rainy, e.g. this pic taken just outside Belfast, ME:

…and another of the Bass Harbor coastline:

…but the last three days were nothing but glorious.  Here’s one taken from our rental cottage on the Damariscotta River:

And another couple from the bridge at Southport Island:

Right-click on any to embiggen (and feel free to copy and use as wallpaper etc.).  Please forgive the pics’ imperfections:  Idiot Kim forgot his trusty Nikon and had to rely on his phone instead.  Ugh.

Finally:  while we were there, several Readers wrote to me and invited us to join them at their houses, on their boats, or for a meal/drink.  My sincere apologies for not replying to any of you:  I didn’t check my email account until last night (my vacations are pretty much that — a getaway — and much of the time we had zero connectivity anyway).  So please don’t think I was being rude.  Rest assured, the next time we go Down East, we will meet up and socialize, if the invitations are still open.  Invitations to go shooting will, as always, receive priority.

What a pleasure.  The only regret is that we missed the arrival of the tall ships during Boothbay Harbor’s Windjammer Festival.  (I think they’re scheduled to arrive there today, in fact.)


And en passant: at the KIttery Trading Post, I saw a second-hand Browning A-Bolt rifle in .300 Win Mag with a laminate (not the usual composite) stock for sale at a very  reasonable price.  I’m still kicking myself…

Best Of All

I see that director Franco Zeffirelli died a couple days back, and as always the Jackals Of The Press are talking about his “love of excess” and all the other irrelevant nonsense that they spout when they are confronted with genius.

The fact remains that of all movie adaptations of Shakespeare’s works, Zeffirelli’s Romeo & Juliet is the greatest — the closest to the original play, some of the best characters / casting (the Nurse and Mercutio being the best examples), with excellent cinematography and costuming.  It is quite possibly the perfect movie.

And then there’s Olivia Hussey:

 

And if for some inexplicable reason you’ve never seen Zeffirelli’s Romeo & Juliet, buy or rent it today.   No thanks needed;  it’s all part of the service.

Another Unexpected Find

Over time, we’ve come to realize that A Pathway In Monet’s Garden  is too big for the dining room.  (It was originally intended for the living room, but plans changed and a better thing was found.)

So yesterday morning we decided to mothball the Monet, and put something else up in its place.  So off we went to iCanvas, my favorite place to buy art online.  Rather than getting just another Monet (there are four in the house currently), we decided to look instead at Impressionist paintings set in portrait format rather than landscape, with no regard to the artist.  Hours passed by, paintings considered and then discarded (wrong color, wrong mood, wrong style, etc.) until we stumbled onto this:

5th Avenue New York, 1891, by Childe Hassam

Wait a moment.  Who is this “Childe Hassam?”  I’d never heard of him/her (him, actually), so I went to his page at iCanvas and looked at his works, which numbered over a hundred.  I like almost all of them — which meant I had to look to see whose work I was enjoying so much… hello, Wikipedia.

Wait… an American Impressionist?  And I had never heard of him before?  And (wait for it) his paintings were all done during the late 19th- and early 20th century, which as any fule kno is my favorite period of history;  and in all, he produced over three thousand  works… BINGO!

What I like about Hassam is not just his technique, which is excellent, but also his choices of subject matter.  Unlike many Impressionist painters (hello Monet and Cezanne), Hassam painted a dizzying variety of subjects:  landscapes, cityscapes, models, you name it;  he used both watercolors and oils (!) and over all that, he also covered a multitude of colors and moods.  Here’s A Room Of Flowers :

Gloucester Harbor :

Cloud Front, Maine :

…and in one of many abrupt changes of both topic, color and mood, Taxi Rank on Rue Bonaparte  (which I love but The New Wife doesn’t, alas):  

…and continues the theme with Rainy Day, Boston :

Yes indeed:  our American painter didn’t restrict himself to the U.S.A. at all (although he painted the New England and Pacific Northwest seascapes, to name but two).  Rather, his work also covers France, Italy, and all points in between.  Wherever he found himself, he painted it.  To our great advantage.

Because if you like Impressionism but can only see so many paintings of haystacks (ahem), I bet you’ll find a Hassam painting that will be right up your street.  Maybe like this one, The Water Garden

…or even Church At Old Lyme, Massachusetts (of which, unusually, he painted several seasonal variations): 

…never mind his patriotic “Flag” series, like for example Fourth of July, 1916

…or the sublime Watching The Boys March By, 1918 :
…which is also sometimes called The Flag Outside Her Window.

I like this artist.  I like him a lot.

Self Portrait, 1914

Oh, and for people (like me) who loathe Modernism, allow me to quote his attitude thereon:

He denounced modern trends in art to the end of his life, and he termed “art boobys” all the painters, critics, collectors, and dealers who got on the bandwagon and promoted Cubism, Surrealism and other avant-garde movements.

“Art Booby”… I am so  going to steal that for myself.